[ China Wardrobe ] Furniture has a long history in the history of social development. In China, it is also a long time, what is the traditional Chinese culture on the furniture? Some scholars believe that the first is the production culture, which is thousands of years of civilization. History accumulates things in furniture making. The second is folk culture, which has evolved in the course of thousands of years of history, a thing associated with the sleeping and sleeping diet. The third is aesthetic culture. The furniture contains the most traditional and most typical concept of China. At present, this concept of beauty is at least influenced by foreign culture and reflects the local characteristics.
Talking about the traditional Chinese culture embodied in furniture
First talk about the production culture. The people of our country are very characteristic in the production of utensils. In the history, many artifacts were made by ancestors. The manufacture of our artifacts is highlighted in a "smart" character, reflecting the ingenuity of the working people of our country, and it has become a symbol of "Made in China" in history rather than today. Reflected in the furniture production "smart" is also very prominent. The root of traditional furniture manufacturing is the "æ¦«å¯ structure", which is also the soul of Chinese traditional furniture, which uses a clever word. There are a lot of articles about "榫å¯" including myself, and I won't repeat them here. But if you give up, you are no longer a traditional Chinese furniture, but a series of modern furniture. This is an important dividing line. In addition, the traditional "finishing" and "splicing" of traditional furniture is also very characteristic.
The production of traditional Chinese furniture and the traditional Chinese architecture have the same blood relationship, which is one of them. Analysis of the structure of traditional Chinese architecture, including Chinese folk wood carvings, helps to understand the traditional furniture manufacturing technology. The basis for the development of products by Chinese furniture designers is also.
Then talk about folk culture. Furniture is a daily necessities, as it has been in the past. It is the daily necessities that are derived from everyday life. A history of Chinese furniture is a history of the evolution of Chinese living and living. From the seat to the "hu bed", to the high seat, until now, the stereotypes and maturity of ancient furniture are reflected, which reflects an important aspect of the lives of our people, which is often not seen in the official history. This kind of thing is very interesting and can be a fun point in design. The humanistic characteristics of traditional Chinese furniture are very strong, fully embodying the Chinese nation's concept of "apparatus."
China has a vast territory, and only Han people have different styles and customs in different regions. Guangdong is different from é—½, and çš– is different from Hubei. In particular, Jin, Su, Zhe, Lu, Xiang, Yi and Yue furniture have their own history and characteristics. These differences are very clear, just as different dialects in these places are different, but modern times are blurred for various reasons. If you put Shanxi furniture together with Guangdong furniture, you can see it clearly. Regional culture is the foundation of folk culture and another interesting point in traditional Chinese furniture design.
Finally, I said aesthetics. Where is the key point of Chinese aesthetics? What is different from foreign countries? This is a topic to be discussed from the bottom of our culture. Simply put, it is an aesthetic concept formed by the influence of Confucian culture, Taoist culture and Buddhist culture. For example, "subtle beauty" is a typical Chinese aesthetic culture. For another example, the pursuit of "skinny", "transparent", and "qu" also fully reflects the traditional aesthetic pursuit of China. Another example is the concept of "circular side", "outside the circle" or "the place above the circle". These are all different manifestations in the furniture.
Reflecting beauty through lines is also a very special aesthetic concept for Chinese people. In traditional furniture, the visual dynamics created by the lines are a very important expression of beauty. It is especially important to note that the smooth expression of the Ming Dynasty furniture is the most attractive part. In addition, the two common decorative techniques of "starting the line" and "punching" are also a manifestation of the line. These techniques of making decoration allow one to observe different homes at different angles and thus have a line of sight movement.
Jiangmen Pengjiang Guanqi Trading Co., Ltd. , https://www.rikeryclean.com