The exhibition exhibited the “Northern Taberna, Poetry†of Lijiang Min, a representative artist of Yangzhou engraving and printing, and a representative inheritor of Jiangsu's engraving and printing techniques. The full set of the “Northern Tabernacle†printed by Qiangban has more than 120 patterns. Fine hair, lifelike characters. Li Jiangmin won the “International Gold Award for Chinese Artists' Conference†for his “Northern Ping Piao, Poetry Notes†and “Sutra of the Heart Sutraâ€. The two sets of work took four full years and the fine craftsmanship was evident.
The "engraving and printing" began in the Tang Dynasty and was established in the Tang Dynasty. It expanded in the Five Dynasties and was well-versed in the Song Dynasty and Sheng Mingqing. In the Sui Dynasty, where Buddhism prevailed, it was difficult for the copyists in the temple to work overtime and copying to satisfy the followers of the Buddhist scriptures and the Buddha's statues. Demand, some people thought of a way to sculpt the verses on the back of the wood, and then brush the ink on the sculpted plates and print them. Later, there was a technique that could print color pictures -- the stencil version. The stencil printing reached its peak in the Ming and Qing dynasties.
This technology, inherited for thousands of years, exudes its initial charm in Li Jiangmin's hands. Engraving printing is divided into writing, engraving, printing and binding work. He is engaged in the printing of one of the engraving and printing sessions. For the past 30 years, he has also been one of the few who can print enamel prints.饾 version is to sculpt different plates according to the different colors of the original picture, and then print them in order to obtain a color picture. The color printing of color printing is more important than monochrome printing. In his previous work Dunhuang Flying, in order to restore the gorgeous colors, use up to 16 editions.
"Northern Ping Piao, poetry," for Lu Xun and Zheng Zhenlu selected the ancient map of poetry. The literati are elegant, strokes are delicate and delicate, and the picture is full of vitality. The difficulty of carving and brushing is not small, Li Jiangmin said, "First, it is lively, the face must be vivid, the color must be vivid, and it cannot be escaped and elegant." Secondly, the lines are fine, especially the shrimp painted by Qi Baishi. In the process of carving and brushing, the difference between the pool and the brush is a little different. Finally, the humidity of the air is very important. It must be brushed and printed in a moist environment. The work is only flat. Paper selection is not the same, it must be handmade rice paper in Ji County, both thickness, toughness, the screen is not only convex and not damaged, showing the soft beauty of the work.
The "engraving and printing" began in the Tang Dynasty and was established in the Tang Dynasty. It expanded in the Five Dynasties and was well-versed in the Song Dynasty and Sheng Mingqing. In the Sui Dynasty, where Buddhism prevailed, it was difficult for the copyists in the temple to work overtime and copying to satisfy the followers of the Buddhist scriptures and the Buddha's statues. Demand, some people thought of a way to sculpt the verses on the back of the wood, and then brush the ink on the sculpted plates and print them. Later, there was a technique that could print color pictures -- the stencil version. The stencil printing reached its peak in the Ming and Qing dynasties.
This technology, inherited for thousands of years, exudes its initial charm in Li Jiangmin's hands. Engraving printing is divided into writing, engraving, printing and binding work. He is engaged in the printing of one of the engraving and printing sessions. For the past 30 years, he has also been one of the few who can print enamel prints.饾 version is to sculpt different plates according to the different colors of the original picture, and then print them in order to obtain a color picture. The color printing of color printing is more important than monochrome printing. In his previous work Dunhuang Flying, in order to restore the gorgeous colors, use up to 16 editions.
"Northern Ping Piao, poetry," for Lu Xun and Zheng Zhenlu selected the ancient map of poetry. The literati are elegant, strokes are delicate and delicate, and the picture is full of vitality. The difficulty of carving and brushing is not small, Li Jiangmin said, "First, it is lively, the face must be vivid, the color must be vivid, and it cannot be escaped and elegant." Secondly, the lines are fine, especially the shrimp painted by Qi Baishi. In the process of carving and brushing, the difference between the pool and the brush is a little different. Finally, the humidity of the air is very important. It must be brushed and printed in a moist environment. The work is only flat. Paper selection is not the same, it must be handmade rice paper in Ji County, both thickness, toughness, the screen is not only convex and not damaged, showing the soft beauty of the work.
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